lace off the shoulder long sleeve wedding dress Monique Off-Shoulder Long Sleeve A-line Lace Gown
SKU: 96490067906
lace off the shoulder long sleeve wedding dress

lace off the shoulder long sleeve wedding dress Monique Off-Shoulder Long Sleeve A-line Lace Gown

Sale price$25.28 Regular price$28.09
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Description

lace off the shoulder long sleeve wedding dress Monique Off-Shoulder Long Sleeve A-line Lace GownMADE TO ORDER ITEM Romantic and regal, the Monique Off the Shoulder Lace Bridal Gown is designed for the bride who wants timeless elegance with a modern edge. Crafted from premium lace, this gown features a beautifully structured bodice with internal boning for a corset inspired fit that provides both comfort and support. The sweetheart neckline is framed with delicate lace trim, flowing into sheer lace long sleeves finished with scalloped lace edging

MADE TO ORDER ITEM


Romantic and regal, the Monique Off-the-Shoulder Lace Bridal Gown is designed for the bride who wants timeless elegance with a modern edge. Crafted from premium lace, this gown features a beautifully structured bodice with internal boning for a corset-inspired fit that provides both comfort and support. The sweetheart neckline is framed with delicate lace trim, flowing into sheer lace long sleeves finished with scalloped lace edging for a refined touch. A trendy Basque waistline, inspired by the Victorian era, flatters the figure by elongating the torso before giving way to a voluminous, gathered A-line skirt. The gown flows effortlessly into a dramatic cathedral train, creating a breathtaking silhouette with every step.

Perfect for a winter wedding, Monique balances tradition and modern sophistication, making it an unforgettable choice for brides seeking a blend of romance, structure, and graceful movement.

  • Note: this is a made-to-order item, please allow 2-4 weeks for production and delivery
  • Non-stretch premium ivory lace with ivory underlay
  • Off-the-shoulder sweetheart neckline with lace trimming detail
  • Long sleeves (unlined)
  • Internal boning/corset-style bodice
  • Basque waistline
  • Full, gathered A-line skirt with a moderate train
  • Hidden back zipper
  • Limited to no stretch - we'd recommend ordering a larger size if fall between sizes (bust and waist measurements only)


Sizing Guide:

Don’t worry too much about your hip measurement for this gown because it has a full A-line skirt, the fabric flows out from the waist and doesn’t cling to the hips. What really matters most for fit is your bust and waist, since those are the areas the bodice is tailored to.

Model Info:

Isabella wears a size XS with no room to spare
Height: 5’8/173cm without heels
Bust: 32.7"/83cm
Waist: 26”/66cm
Hips: 35”/87cm - NOTE: with an A-line skirt, the hips aren’t fitted, so hip size isn’t important - the only measurements that matter are your bust and waist.

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    Exchange/Return Notes
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    SKU: 96490067906

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    4.1 ★★★★★
    Based on 1229 reviews
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    M
    Verified Purchase
    Martin M. Bodek
    Lake Worth, US
    ★★★★★ 1
    A Total Sham-dy
    What in the hell was this lunatic yammering about for all those 650 pages? What is the deal with his obession with noses, penises, and hobby-horses, hobby-horses, hobby-horses? Why does anyone consider it amusing when a writer keeps telling you he's going to get somewhere, but never does? Why is it entertaining at all to have blank chapters? Why is that cute? Why is that interesting? Who finds this funny? Who finds anything funny here at all? Why does this book of endless, mindless prattle, blabber, and piffle tickle anyone at all? Who finds digression to be enjoyable in literature? You? Why? Why? Tell me! I checked the ratings on Goodreads. This is what it showed: 5 stars: 33%, 4901 4 stars: 28%, 4064 3 stars: 22%, 3268 2 stars: 9%, 1414 1 star: 5%, 848 Meaning: 95% of these readers are flock-following, digression-loving, hobby-horse riding loonies who have swallowed the Kool-aid. There is nothing here but vacuous thundergunk. Pure, putrid unenertaining garbage. If I would have laughed once - just once - during the reading of this book, I would have given it a whole extra star, but it couldn't even do that. I give him one star for spelling Tristram's name right, and even then, it's a made-up name anyway, so I may have been hoodwinked as well.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on September 19, 2016
    M
    Verified Purchase
    Michael Harold
    Dallas, US
    ★★★★★ 5
    Laurence Stern is still one of the most creative writers ever
    This review is not about the words and images inside the book. This is about the fact that, when I removed the book from its packaging, the book's cover had too many creases and bends in it, both front and back, for my taste. Although I do think that Laurence Sterne might have smiled at my response, I don't think the creases were a type of samizdat (think Alexander Solzhenitsyn) added by a disgruntled/creative employee at Amazon. If this doesn't make any sense to you, or seems to be a silly mountain out of a molehill compliant, you will love the book.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on February 21, 2025
    J
    Verified Purchase
    J. Edgar
    Port Orchard, US
    ★★★★★ 5
    A Few Thoughts on Tristram Shandy by Laurence Sterne
    Shandy is an amazing book. More than anything it made me think of a late 1990s vibe with Seinfeld and David Foster Wallace. I can imagine the discourse that must have grown up around it. It I about memory and storytelling but also about nothing but also childbirth and siege warfare. I’m glad I read it; it was worth it even if it took a while.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on May 14, 2023
    P
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    Paul Frandano
    Boise, US
    ★★★★★ 5
    A Dyadic Review: Baffling, Brilliant
    Difficult. Rewarding. Serious. Hilarious. Wise. Faux-wise. Scholarly. Mock-scholarly. Observant. Absurdly, obsessively observant. Sharp characterizations. Ridiculous characters. Devout. Bawdy. Endearing. Frustrating. Genius. Barking mad. Narratively incoherent. Stream-of-consciousness associative. Consistently provincial. Profoundly universal. Mired in the 18th century. Harbinger of 20th century literary Modernism. Baffling. Brilliant Not for every taste. For my taste. And while I'm at it, let me give a shout-out for the out-of-print Norton critical edition, which provides many helps, essay avenues of understanding, and a clever chapter summary/table of contents. For so many years - since reading Moby Dick in grad school with the help of a Norton critical - this publication line has been my go-to for great texts: useful annotations, contemporary reviews, later scholarly articles, and more. And also let me give a shout-out to Anton Lesser, who narrated the complete novel for Naxos. I have never, ever experienced an audiobook as masterfully produced and narrated as Naxos' Tristram Shandy. No, it is simply not a book one can listen to and fully comprehend as heard. But one might read while listening, or listen while reading, with - if you have the riight software - the narration sped up closer to one's own reading speed, and experience the full majesty of Lesser's absolute preparation, with Latin, Greek, French, and German - as well as regional English - beautifully and humorously intoned, character voices carefully differentiated, tone and mood captured, etc. Or, as I do, go for a walk and listen as you walk, and afterward slip into a comfy chair, crack the novel open, and continue from where you left off, or backtrack if necessary to sort out the characters. In any event, and particularly for devotees of audio books, do find Anton Lesser's note-perfect reading, a veritable radio serial, perhaps the last book you'd expect anyone to attempt single-handedly, with My Father, My Uncle Toby, Corporal Trim, Parson Yorick, Doctor Slop, Widow Wadman, and all the rest of the supporting characters beautifully, consistently interpreted. Lesser is, in a galaxy of fine narrators, the greatest I've heard: an absolutely peerless voice actor in a most demanding work.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on June 13, 2016
    R
    Verified Purchase
    Ritesh Laud
    Dallas, US
    ★★★★★ 5
    Brilliant stream of consciousness style, *extremely* humorous
    "The Life and Opinions..." is perhaps impossible to really classify. It purports to be a biography of the fictional Tristram Shandy, but I don't think you can call something a biography when it only covers a year or so of the subject's life! I would say that more than half of the novel actually falls into the "Opinions" referred to in the title. The rest consists of short stories on Tristram's father, uncle, and a couple other minor characters. I have never in my life read so many digressions from the topic at hand, most of which were utterly irrelevant but the charm of it is that Sterne *knows* they're irrelevant, but mockingly expresses his license of authorship in forcing the reader to go off on these sidetracks. His attitude is: "If you can't wait a chapter or two to get back to the story, well, go take a flying leap, I'm the author." Sometimes the digressions are exasperating. Very unlike Victor Hugo's signature habit of digressing, say when a certain main character in Notre Dame decides to enter the Paris sewers, Hugo takes thirty or more pages to give a history of the design and construction of the Paris sewer system. At least Hugo's digressions have *something* to do with the story. Well, maybe that's the problem. There isn't a main story in this novel. It's not a storybook. There are many short stories nested within the main framework, but there is no real protagonist or overarching theme of any sort. Indeed, the end comes abruptly and there is absolutely no resolution of any conflict. It's not trying to teach anything, really. So what is it? I'm not sure. More a comedy than anything else. Right up there with Dickens' "Pickwick Papers" in terms of humor, but lacking the story. Maybe funnier than Dickens and just as clever. I was rolling in the aisles so many times I lost count. I read the Penguin edition, edited by Melvyn & Joan New. The back cover does a better job than I could ever do in providing a sense of what you're getting into when you pick this one up: "No one description will fit this strange, eccentric, endlessly complex masterpiece. It is a fiction about fiction-writing in which the invented world is as much infused with wit and genius as the theme of inventing it. It is a joyful celebration of the infinite possibilities of the art of fiction, and a wry demonstration of its limitations." It's a large work, it will take a while to work through. It's worth it. There are passages I want to go back to and make copies of to tape to the walls, they're that brilliant.
    WAS THIS REVIEW HELPFUL?YesReportShare
    Reviewed in the United States on July 31, 2005

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