wide dress shoes Aris Allen Men's 1932 Wide Black Captoe Swing Dance Shoes – DanceStore.com
SKU: 55550641453
wide dress shoes

wide dress shoes Aris Allen Men's 1932 Wide Black Captoe Swing Dance Shoes – DanceStore.com

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Description

wide dress shoes Aris Allen Men's 1932 Wide Black Captoe Swing Dance Shoes – DanceStore.comWide All Leather Swing Era dress shoes in the style of men's captoes from the 1932 Chicago Mail Order Catalog. These are approximately EE EEE width. Exactly what you want to wear for vintage dances like Lindy Hop, West Coast Swing, etc. Our in house EEE dancer has designed these to his personal specifications. He hates ugly, bulbous wide shoes and made them with much more style than most wide dress shoes available for men. Bonus: he says a problem

  • Wide All Leather Swing Era dress shoes in the style of men's captoes from the 1932 Chicago Mail Order Catalog. These are approximately EE-EEE width. Exactly what you want to wear for vintage dances like Lindy Hop, West Coast Swing, etc.
  • Our in-house EEE dancer has designed these to his personal specifications. He hates ugly, bulbous wide shoes and made them with much more style than most wide dress shoes available for men. Bonus: he says a problem with wide dress shoes is that they have wide ankles, too! Ours do not.
  • These are made specifically for dancing on wooden dance floors - do not wear them them outside..
  • See sizing recommendations below.
  • Item #: 447W-BK

SPECS:

Features the Aris Allen Raw Sole: a flexible hard leather sole and heel made especially to provide you with the action you want on the dance floor. Ask any dance instructor: the “fastness” of the sole forces you to “find your center” immediately.

Heel height is approximately 1"

SIZING TIPS - (ALL SHOES ARE USA SIZES):
(Our returns show we are right about 90% of the time)

CHECK THE PHOTOS FOR OUR CHART WITH MEASUREMENTS (measurements of the inside of the actual shoe - NOT the measurements of your foot)

These are Wide Shoes and are running pretty true-to-size. So start with your men's dress shoe size - the size you measure on the Brannock Device (the metal thing at the shoe store) - and stick with your normal size or go up to the larger size if you usually find you're in between sizes. Feel free to call us if you need help figuring out your size.

Narrow width: 
Test dancers with narrow feet will not be happy with these. You're better off with our medium-width Men's 1932 Captoes instead.

Medium width:
Test dancers with medium width feet will not be happy with these unless they usually wear extra-wide shoes because they have bunions or need extra room for inserts or orthotics. Otherwise you're better off with our medium-width Men's 1932 Captoes instead.

Wide width: 
These are roomy and are made for wide feet. Feedback from dancers says that these are approximately EE-EEE. If you are EEE you may want to go up a half size to get the width you need.

ABOUT "BLUCHER" CONSTRUCTION:
This captoe is made in the Blucher style, meaning that unlike most dress shoes they are constructed to open and close across the foot with laces (rather than being stitched down at the base of the laces like Balmoral construction) to allow you to adjust the fit to your liking. This means they often fit a variety of widths, depending on how loosely or tightly you tie them.

ABOUT THE ARIS ALLEN RAW SOLE:

  • The Aris Allen Raw Sole is made from flexible hard leather that gets a little “faster” over time by repeatedly absorbing the natural humidity in the air (especially at a dance) and drying. The bottom of the sole and heel is made from sanded hard leather and performs a lot like Chrome Leather (suede) which allows you to spin and slide, and still control the floor. If you find the sole has picked up dirt from the floor and is slowing down, just shuffle your feet on the sidewalk once or twice to refresh it.
  • The raw leather surface is designed for the intermediate / advanced dancer - but they're also great as a second pair for beginners... the “fastness” of the sole forces you to “find your center” immediately.
  • This style was created to give you a shoe that is similar to what was being worn when swing dancing was invented. If you want to look authentic on the dance floor you need to be wearing the same thing that dancers were wearing in the 20s, 30s, and 40s.
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Exchange/Return Notes
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SKU: 55550641453

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Eric Stampher
Carnegie, US
★★★★★ 5
Can't ask for more, but I want more.
Format: Hardcover
Really, this is just a start. Any commentary is. But this is one of the best because it proceeds from a radical premise: the whole Bible is from God, giving His point of view and superceding that of the human author. Not that this is promoted self-consciously or consistently from each contributor. But the structure of the enterprise is such that they are sucked back into presenting how it is that the old testament is so thoroughly imbued in NT writings, including in ways which both OT and NT writers could not have intended. Treading down this path forces us to question all those teachings we've had where we were told: "Matthew (or Paul or John ...) here had in mind xyz." When Matthew wrote his gospel, we might now surmise that we can't be sure what he himself had in mind, because what we wrote was superintended to the degree that Matthew's sinful thoughts were NOT what ended up on parchment. God's thoughts are there, pure and untainted by Matthew's natural limitations and sin. Attempts to work from Matthew's sinful thoughts and culture to God's meaning miss the point that whatever Matthew was in his head was NOT the end product that flowed out his quill. Remember when Caiaphas spoke what he thought naturally about how it is better for one man to die rather than the whole nation take a hit? He meant it for evil, but God superintended it to be ultimate truth, regardless of that speaker's intent. Same with all holy writings. Yes, holy men of old spake as they were moved, but their holiness does not naturally come out in uncontaminated speech -- that takes a special work of God. This commentary allows for that premise. There's something way more than human going on that ties this whole Bible together in one theme from one Writer. Don't get me wrong, not all these contributors seem to subscribe to my radical conclusions above, although I think the editors do. And their prescribed structure for this commentary nudge the contributors into a path that I think leads to a more theocentric authorship. So this is a good start, but nothing beats trying to read the Bible itself from God's point of view, rather than the hallowed and misguided grammatial-historical human focused approach.
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Reviewed in the United States on April 6, 2008
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Craig Stephans
Port Orchard, US
★★★★★ 5
An Excellent Resource for all Students of the Bible
Format: Hardcover
This is an incredible resource that looks at New Testament passages in their relation to the Old Testament. The authors go well beyond mere cross referencing and provide in-depth exegetical commentary on the New Testament and the Old Testament contexts. The writers adeptly address specific and general references by the New Testament to the Old Testament. The authors of the chapters of the book are seasoned Biblical writers that incorporate the best from existing commentaries on their subjects in addition to offering their own profound insights. This is a rich resources that is simple, cogent, well written and easy to read. Each chapter has extensive bibliographies indicating the thoroughness of the research. This is a resource book to definitely add to your library for personal devotional use, a writing resource or a preaching resource. I am very pleased with it so far. Craig Stephans, author of
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Reviewed in the United States on December 14, 2007
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Great book by a wonderful Christian author!
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David Jeremiah books are great reading and study material. Purchased most of his books!
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Reviewed in the United States on August 10, 2025
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Anthony J
Birmingham, US
★★★★★ 5
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As always David Jeremiah is clear and precisely on target. We already see what he's pointing at. He just makes sure that we don't miss what it means both in terms of the future and in terms of what we need to do in the present.
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